12/17/2022 0 Comments Musical intermission crossword![]() “Willie is a singer-songwriter, and Mike is a jingle guy who writes great hooks, so they’re a great pair. Since raising those funds, Galinsky has been working with two musicians from Los Angeles, Willie Wisely and Mike Ruekberg. Right away another five thousand dollars came in, and we made it.” He then retweeted my message to his nearly thirty thousand followers. He donated fifteen hundred dollars, and told me to tweet about his contribution. Galinsky described his predicament to a friend of his, Nile Rodgers, the guitarist from Chic, which gave the world the disco anthem “Le Freak.” Galinsky said, “Nile had heard some of the music, and he got behind it. With a few days to go, they were ten thousand dollars short (with Kickstarter, if you don’t meet your goal, you don’t keep any money). I was getting notes from people all over the country saying, ‘I love coffee, I’ll support this.’ ”īut it wasn’t easy. “The contributions were mostly from people I didn’t even know. He began a Kickstarter campaign, and raised fifty thousand dollars in two months from two hundred and sixty-three people. In a booming voice that Galinsky imitated in the café, Schoenfeld told him, “Now you got to raise the money to put on the show.” Galinsky, who had no experience on Broadway, got to work. When Galinsky mentioned his coffee-musical idea to Schoenfeld, he got excited. “I first a came up with the idea in the mid-nineties when I was going in and out of Dean and Deluca all the time, spending hours drinking coffee while I was working for an online company,” he said.Ī little over a year ago, he met Mark Schoenfeld, who wrote “Brooklyn: The Musical,” which ran on Broadway in 2004. The producer, who had come to the Soho café from his East Village home, said, “I found it by the smell, which is always a good sign.” He was wearing jeans and an olive-green Oxford that stretched just a bit over his waist to suggest that, along with his coffee, he’s enjoyed a pastry or two in his forty-seven years. “It felt like the perfect thing for this moment, because it’s a party that reminds people of the possibilities of themselves and the world.Galinsky sat down for an espresso inside the demitasse-sized shop La Colombe Torrefaction, on Lafayette Street. “At the core of this show is a group of people who discover they are missing something and go on a search, only to find that the thing they were missing was in each other all along,” said Koons. The jukebox musical - which will be directed, choreographed and conceived by Jenny Koons and Sam Pinkleton - centers on the crises of a royal family. Instead, it’s about looking at ourselves as a cultural institution and how we can engage with audiences and theater altogether in new ways.” “Restarting the engine with our pre-pandemic lens just didn’t feel right to me. “Our world has changed dramatically because of COVID: the loss of people, of social connectivity, of missed opportunities and what we thought last year and this year would have been,” said Danny Feldman, Pasadena Playhouse producing artistic director. ![]() ![]() It’s a bold pick, especially amid a pandemic. ![]() And it will put the audience at the center of the action, with immersive and interactive elements. 12, won’t be a replica of Michael Mayer’s 2018 Broadway production, which sets songs like “Our Lips Are Sealed,” “Vacation” and “Mad About You” to the story of Philip Sidney’s 16th-century prose poem “Arcadia.” Instead, the Playhouse staging trims the running time to an intermission-less 90 minutes (while keeping the majority of the songs intact) and swaps a medieval setting for that of a concert not unlike the shows that made the band a mainstay of the Los Angeles punk rock scene. ![]() The Pasadena Playhouse has got the beat: The regional theater will kick off its 2021-22 season with a reimagining of “Head Over Heels,” the musical comedy featuring the hits of the Go-Go’s. ![]()
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